The 40 Most-Played Classic Rock Songs of 2025: Dominated by ‘80s Hits

Classic rock radio has always thrived on nostalgia, but 2025’s airplay numbers reveal a clear favorite decade. Stations across the country are leaning heavily on the soaring guitar riffs, arena anthems, and polished production that defined the 1980s. The result is a playlist that feels less like a broad look at rock history and more like a time capsule from one of its most radio-friendly eras.

Industry data backs up the trend. Mediabase, which tracks radio spins across more than 180 markets, reports that out of the 40 most-played classic rock tracks this year, 25 came straight from the ’80s. The ’70s still hold their ground with 14 entries, but the ’90s barely make a mark, with only a single song slipping into the list. These numbers show that while classic rock covers multiple decades, programmers and listeners alike are still most drawn to the glossy sound of the ’80s.

That dominance says a lot about how the music of the era continues to resonate. The decade delivered everything from power ballads to stadium rock juggernauts, and those songs remain staples for both casual listeners and die-hard fans. As the latest rankings make clear, when it comes to the soundtrack of classic rock radio in 2025, the ’80s aren’t just alive—they’re still leading the charge.

40. The Black Crowes, “Hard to Handle” (Shake Your Money Maker, 1990)

Nearly the youngest recording debut among classic-rock giants, The Black Crowes burst onto the scene in 1990. Their breakout cover of Otis Redding’s “Hard to Handle” quickly became their first—and only—Top 20 U.S. hit, establishing the band’s road-worn blues-rock credentials. Interestingly, the next most-played track by the band in Mediabase’s 2025 rankings doesn’t appear until No. 222—”She Talks to Angels”—highlighting how one song can come to define a band’s radio legacy.

Despite their later, more gritty albums, “Hard to Handle” continues to enjoy heavy rotation on classic-rock stations. Its enduring appeal stems from its raw energy and soulful interpretation, which resonated with both older blues fans and younger rock audiences. For many, this song remains the gateway into The Black Crowes’ passionate catalog.

In 2025, the placement of “Hard to Handle” at No. 40 underscores how foundational blues-informed tracks remain in the classic-rock dialogue. Even as programming skews toward polished ’80s production, rawer gems like this one still earn their spot.

39. Steve Miller Band, “The Joker” (The Joker, 1973)

Decades after its debut, “The Joker” remains the definitive Steve Miller Band song—and still a cornerstone of classic-rock airwaves. Released in 1973, it marked the band’s first chart-topping single, thanks to its laid-back groove, wry lyricism (“pompatus of love” and all), and memorable “woo-woo-waa-waa” refrain. Its ongoing popularity shows just how sticky certain lyrical hooks can be.

Radio programmers keep the Miller catalog alive: seven of their songs place in the Top 500 of 2025, including “Rock ‘n Me” (No. 123), “Take the Money and Run” (202), and “Fly Like an Eagle” (242). These tracks help paint the broader picture of their steady presence across the classic-rock spectrum.

That “The Joker” still lands at No. 39 in 2025 proves that smooth, sing-along-ready tracks can endure—and that fans continue to embrace its off-beat warmth some 52 years later.

38. Blue Öyster Cult, “Don’t Fear the Reaper” (Agents of Fortune, 1976)

Few songs can claim the quirky immortality of Blue Öyster Cult’s “Don’t Fear the Reaper.” Known equally for its evocative riffs and its pop-culture afterlife—thanks to the “More Cowbell” sketch on Saturday Night Live—the 1976 hit has carved a permanent place in rock lore.

Even now, radio stations continue to balance the song’s haunting narrative with its cerebral edge. While the real cowbell maestro remains a matter of debate, the cultural punch of that famous skit helped vault the track back into mainstream recognition decades after its release.

Landing at No. 38 in 2025 airplay tells us something: power lies not just in riffs or hooks, but in how a song embeds itself into broader cultural memory—and how radio programming leans into those echoes of pop-culture mythology.

37. Blue Öyster Cult, “Burnin’ for You” (Fire of Unknown Origin, 1981)

Just one notch above “Don’t Fear the Reaper,” “Burnin’ for You” keeps Blue Öyster Cult well represented in the upper echelons of classic-rock spins. Released in 1981, it flips the script by featuring guitarist Buck Dharma on lead vocals, offering a distinct contrast to Eric Bloom’s usual delivery.

That two Blue Öyster Cult tracks sit closely together in the rankings reveals how cohesive programming logic can be: DJs often pair the two, encouraging listeners to hang on as the next familiar riff rolls in. “Burnin’ for You” thus benefits from associative momentum.

Its No. 37 placement proves that the band’s ’81-era swagger—part melodic pressure, part tongue-in-cheek cool—still strikes a chord with both old-school fans and newer listeners seeking that blend of arena-ready guitar and sly delivery.

36. Tom Petty, “I Won’t Back Down” (Full Moon Fever, 1989)

Originally rebuffed by label executives as not containing obvious “hits,” “I Won’t Back Down” vindicated Tom Petty and producer Jeff Lynne’s instincts. Featured on Full Moon Fever—Petty’s first solo effort—it became one of three hit anchors from that album (alongside “Runnin’ Down a Dream” and “Free Fallin’”).

This strength is reflected in 2025: Petty holds a presence of 15 songs in the Top 500, with the Full Moon Fever trio standing proud at the top tier. It’s a testament to songwriting that’s both plainspoken and profoundly resonant, blending rootsy sensibility with mass appeal.

At No. 36, “I Won’t Back Down” exemplifies how anthemic simplicity—backed by sincerity—can earn enduring popularity. Even as decades pass, listeners still rally to these lines of resilience.

35. Eagles, “Hotel California” (Hotel California, 1976)

Few songs capture the spirit of classic rock radio quite like “Hotel California.” Released in 1976, the Eagles’ haunting epic has been endlessly dissected for its cryptic lyrics and unforgettable twin-guitar finale. Even after nearly five decades, it continues to define the band’s career and stands tall as their most-played track in 2025.

The Eagles are well represented on the charts this year with seven songs, but their broader family tree adds even more weight. Joe Walsh’s “Rocky Mountain Way” and “Life’s Been Good” still earn spins, while Don Henley’s solo staples “The Boys of Summer” and “Dirty Laundry” round out the picture. Altogether, the Eagles and their solo ventures claim 11 entries in the Top 500.

That dominance illustrates how their blend of California cool and sharp musicianship still resonates. “Hotel California” sits at the center of this legacy, its mysterious allure and timeless production ensuring that it remains one of radio’s most enduring classics.

34. Journey, “Separate Ways (Worlds Apart)” (Frontiers, 1983)

Journey’s power-packed anthem “Separate Ways (Worlds Apart)” became an MTV mainstay in 1983 with its synth-driven riffs and Steve Perry’s soaring vocals. Decades later, the song is still a fan favorite, landing firmly at No. 34 on 2025’s most-played list. Its intensity and stadium-sized sound helped shape the blueprint for ’80s arena rock.

The band’s presence in the Top 500 is significant, with eight total songs making the cut. Alongside “Separate Ways,” familiar staples like “Any Way You Want It,” “Lights,” and “Faithfully” continue to keep the Journey catalog alive for new generations. Notably, their crossover projects—like Neal Schon’s Bad English or Perry’s solo hit “Oh Sherrie”—don’t appear, signaling that radio still gravitates toward the main lineup.

“Separate Ways” remains an emotional anthem for both breakups and perseverance. Its enduring play shows just how powerfully ’80s rock has anchored itself in the DNA of classic-rock programming.

33. Rush, “Tom Sawyer” (Moving Pictures, 1981)

Rush’s “Tom Sawyer” is the quintessential prog-rock radio track, balancing complex musicianship with enough accessibility to become a crossover hit. Since its release in 1981, the song has introduced generations of listeners to Geddy Lee’s sharp vocals, Neil Peart’s drumming wizardry, and Alex Lifeson’s muscular riffs. In 2025, it still earns one of the top spots at No. 33.

Beyond “Tom Sawyer,” Rush maintains a strong showing across the charts, with “Limelight,” “The Spirit of Radio,” and “Freewill” all represented. While their technical, progressive style often limited them on mainstream charts, radio airplay demonstrates just how influential they remain in the rock canon.

“Tom Sawyer” endures because it captures everything Rush stood for: technical precision, lyrical depth, and a sense of ambition that went beyond commercial formulas. Its steady airplay is proof that progressive rock continues to hold a loyal place in classic-rock radio.

32. AC/DC, “Back in Black” (Back in Black, 1980)

“Back in Black” is more than a song—it’s a declaration of resilience. Released in 1980 as a tribute to late singer Bon Scott, AC/DC’s title track from their defining album became an anthem of survival and swagger. With Brian Johnson stepping in on vocals, it marked a triumphant rebirth for the band.

This is just one of several AC/DC songs earning spins in 2025. Tracks like “T.N.T.,” “Dirty Deeds Done Dirt Cheap,” “Thunderstruck,” and “Hells Bells” all sit within the Top 500, underscoring how deeply their riff-driven catalog saturates radio playlists. In total, the band has more than 10 entries across the chart.

At No. 32, “Back in Black” proves that thunderous simplicity never goes out of style. Its crunching riffs, defiant lyrics, and immortal chorus keep it at the forefront of AC/DC’s towering legacy on radio.

31. Led Zeppelin, “Black Dog” (Led Zeppelin IV, 1971)

It may come as a surprise that Led Zeppelin’s only Top 40 entry in 2025 is not “Stairway to Heaven” but “Black Dog.” Released in 1971 as part of Led Zeppelin IV, the track showcases Robert Plant’s wailing vocals and Jimmy Page’s snarling riffs, setting the tone for the band’s heavier side.

The Zeppelin catalog remains well-represented beyond the Top 40, with “Immigrant Song,” “Rock and Roll,” “Over the Hills and Far Away,” “Ramble On,” and “Whole Lotta Love” all appearing further down the list. Yet the fact that “Black Dog” leads their airplay tally highlights how its raw energy continues to resonate more strongly with radio programmers.

This placement emphasizes how Zeppelin’s appeal is both broad and selective: while “Stairway” is legendary, “Black Dog” is punchier, shorter, and more radio-friendly. Its ongoing dominance reaffirms that Zeppelin’s hardest-hitting material still commands airwaves more than 50 years later.

30. Def Leppard, “Photograph” (Pyromania, 1983)

Def Leppard’s “Photograph” marked a turning point in rock radio. Released in 1983 on Pyromania, it became their first U.S. chart-topping single and launched the band into international superstardom. With its blend of hard rock riffs, sleek production, and pop-friendly hooks, it remains one of the defining sounds of the ’80s.

The band boasts 10 songs on the 2025 chart, demonstrating their enduring appeal. Alongside “Photograph,” tracks like “Animal,” “Rock of Ages,” and “Love Bites” continue to receive heavy spins, while deeper cuts such as “Rocket” and “Armageddon It” hold firm in the mid-chart range. These entries show how Def Leppard’s catalog straddles both the hard rock and radio-friendly spheres.

At No. 30, “Photograph” proves its staying power as more than just a chart hit. It’s an anthem that captured the glossy, high-energy aesthetic of the early MTV era—and one that still commands regular airtime today.

29. ZZ Top, “Sharp Dressed Man” (Eliminator, 1983)

ZZ Top’s Eliminator was a cultural juggernaut in the early ’80s, and “Sharp Dressed Man” remains its slickest calling card. Powered by Billy Gibbons’ bluesy riffs and the band’s tongue-in-cheek swagger, the song blended Texas boogie with modern synth touches, making it both timeless and very much of its era.

The band holds six slots in the Top 500 this year, with half of them tied to Eliminator. Alongside “Sharp Dressed Man,” both “Gimme All Your Lovin’” and “Legs” continue to be favorites, proving how much that one album shaped the band’s airplay dominance. Earlier classics like “La Grange” and “Tush” also remain staples, but it’s clear the ’80s material drives radio programming.

Landing at No. 29, “Sharp Dressed Man” underscores ZZ Top’s knack for reinventing themselves while keeping their roots intact. It’s playful, stylish, and endlessly catchy—qualities that keep it in rotation more than 40 years after its release.

28. AC/DC, “Highway to Hell” (Highway to Hell, 1979)

“Highway to Hell” is one of AC/DC’s most iconic songs, and also one of the last recorded with Bon Scott before his untimely death in 1980. Its opening riff and rebellious spirit made it an instant anthem, perfectly encapsulating the band’s no-frills, all-energy approach. In 2025, it still rages on as one of the most-played classic rock tracks.

AC/DC’s catalog dominates the radio in general, with 12 entries scattered throughout the Top 500. Only four tracks represent the Bon Scott era, but “Highway to Hell” is by far the strongest, landing ahead of fan favorites like “It’s a Long Way to the Top” and “T.N.T.” The rest of the list leans toward the Brian Johnson era, underscoring the band’s longevity.

At No. 28, the song proves that primal simplicity is often the key to immortality. “Highway to Hell” still connects with listeners today, carrying its outlaw edge and raw power through the decades.

27. Scorpions, “No One Like You” (Blackout, 1982)

The Scorpions’ “No One Like You” became a breakthrough moment for the German rock band, landing them significant airplay in the U.S. when it was released in 1982. The lead single from Blackout, it balanced their heavy rock foundation with soaring, melodic hooks that appealed to a broad audience.

In 2025, the Scorpions are celebrating their 60th anniversary, and their catalog remains widely played. “Wind of Change,” their 1991 ballad, also charts strongly at No. 191, reminding listeners of the band’s ability to capture both power and poignancy. Few international acts have managed to maintain such a consistent U.S. radio presence.

With “No One Like You” at No. 27, the Scorpions prove that their hard-rock balladry still resonates. It stands as one of their signature tracks, bridging their European origins with American airwaves and solidifying their place in the global classic-rock story.

26. Billy Idol, “Rebel Yell” (Rebel Yell, 1983)

Billy Idol brought punk attitude into the mainstream with “Rebel Yell,” the electrifying title track of his 1983 album. With Steve Stevens’ searing guitar and Idol’s sneering charisma, the song embodied ’80s rock excess while still retaining its rebellious edge. It’s little wonder it remains one of Idol’s most-played songs in 2025.

His presence on this year’s chart extends beyond “Rebel Yell.” Both “Mony Mony” and “Dancing with Myself” rank within the Top 500, giving Idol multiple entries that show off his mix of covers, solo originals, and early punk influences. The consistency of these tracks proves his versatility as both a pop icon and a rock mainstay.

At No. 26, “Rebel Yell” captures the era’s combination of sleek production and raw energy. Its timeless chorus and swagger ensure that it continues to ignite radio playlists more than 40 years after its release.

25. Guns N’ Roses, “Paradise City” (Appetite for Destruction, 1987)

“Paradise City” remains one of the crown jewels of Appetite for Destruction, the 1987 debut album that shook rock music to its core. With its iconic chorus—“Take me down to the Paradise City, where the grass is green and the girls are pretty”—and shifting dynamics between ballad-like verses and explosive riffs, it cemented Guns N’ Roses as one of the most dangerous and exciting bands of their era.

In 2025, the band holds eight entries across the Top 500, with half of them pulled from Appetite. Alongside “Paradise City,” tracks like “Mr. Brownstone” and “Welcome to the Jungle” continue to show the album’s dominance, while later hits such as “November Rain” and “Patience” prove their staying power extended well into the ’90s.

At No. 25, “Paradise City” shows how Guns N’ Roses combined aggression and melody in a way few bands could replicate. It remains an anthem for classic-rock radio, ensuring the debut that changed everything still resonates nearly 40 years later.

24. Bryan Adams, “Summer of ’69” (Reckless, 1984)

Bryan Adams may not dominate the charts the way some of his peers do, but “Summer of ’69” proves quality over quantity. Released in 1984 on Reckless, the track has become his defining anthem, evoking youthful nostalgia with its mix of heartfelt lyrics and driving rock energy. Decades later, it’s still the Adams song most likely to be heard on any given day on classic-rock radio.

In 2025, Adams only has two entries in the Top 500: “Summer of ’69” at No. 24 and “Run to You” further down at 275. Missing are staples like “Cuts Like a Knife” or “Somebody,” underscoring how radio tends to stick with his most iconic material rather than exploring his deeper catalog.

The placement of “Summer of ’69” high on this list demonstrates the enduring appeal of nostalgia-driven songwriting. Its themes of young love, ambition, and bittersweet memories continue to strike chords with listeners across generations.

23. Queen, “Bohemian Rhapsody” (A Night at the Opera, 1975)

When “Bohemian Rhapsody” was released in 1975, its six-minute length and operatic structure baffled record executives. Nearly 50 years later, the gamble has paid off in ways few songs ever achieve: it’s not just one of Queen’s greatest works, but one of the most beloved songs in rock history. Its placement at No. 23 in 2025 proves that radio still embraces its daring and dramatic design.

Queen’s catalog is well-represented in the Top 500, with “Killer Queen,” “Somebody to Love,” and “Fat Bottomed Girls” among the many other songs still getting strong rotation. Collaborations like “Under Pressure” with David Bowie also continue to resonate, showing the breadth of their influence across decades.

The song’s staying power is bolstered by its unique ability to transcend eras. Reintroduced to younger audiences through Wayne’s World in the ’90s and later celebrated in the biopic Bohemian Rhapsody, it remains a cross-generational classic that defines Queen’s enduring magic.

22. Bon Jovi, “Wanted Dead or Alive” (Slippery When Wet, 1986)

“Wanted Dead or Alive” showcased Bon Jovi’s ability to merge hard rock swagger with a country-inspired narrative. Released in 1986 on Slippery When Wet, it painted Jon Bon Jovi and Richie Sambora as modern-day cowboys riding the highways instead of the plains. Its acoustic-electric blend and cinematic lyrics made it one of the band’s signature songs.

Bon Jovi has six entries across the Top 500 this year, including “Runaway,” “Bad Medicine,” and Jon Bon Jovi’s solo hit “Blaze of Glory.” Yet “Wanted Dead or Alive” stands as one of their strongest entries, highlighting their knack for creating timeless, arena-ready anthems that also carried emotional weight.

At No. 22 in 2025, the song proves that the blend of rock and western imagery hasn’t lost its luster. Whether blasting from an arena or a car radio, it remains a classic example of Bon Jovi’s enduring storytelling power.

21. Queen, “Another One Bites the Dust” (The Game, 1980)

Queen’s versatility is on full display with “Another One Bites the Dust,” their disco-inspired hit from 1980’s The Game. Powered by John Deacon’s unmistakable bassline, the song bridged rock and funk in a way that brought Queen to an even wider audience, eventually becoming one of their biggest global hits.

Its placement at No. 21 in 2025 shows how this track has maintained its relevance far beyond the disco era. It’s also been given new life in unexpected ways, such as its connection to CPR training, where its rhythm is recommended for the timing of chest compressions—a quirky fact that has helped preserve its cultural presence.

With both “Bohemian Rhapsody” and “Another One Bites the Dust” charting high, Queen proves once again how their eclectic range keeps them a staple of classic-rock programming. The fact that such stylistically different songs both thrive on radio underscores their unmatched adaptability.

20. Billy Idol, “White Wedding” (Billy Idol, 1982)

“White Wedding” gave Billy Idol one of his most iconic hits and another lasting entry into the classic-rock canon. Written in just 20 minutes, the track became a perfect showcase for Idol’s mix of sneering punk attitude and polished ’80s production. Its unforgettable chorus and dramatic video made it a staple of early MTV, propelling Idol’s solo career forward.

This marks Idol’s fourth and final appearance on the 2025 chart, following “Rebel Yell,” “Mony Mony,” and “Dancing with Myself.” Together, these entries highlight how his blend of punk roots and pop-rock sensibilities made him one of the most enduring figures of ’80s rock radio.

At No. 20, “White Wedding” remains a quintessential Idol anthem. It captures both the rebellious spirit and slick energy that defined his career—and its continued airplay shows just how much audiences still connect with its darkly celebratory tone.

19. Journey, “Don’t Stop Believin’” (Escape, 1981)

Though it was not the highest-charting single from Escape in 1981, “Don’t Stop Believin’” has become Journey’s undisputed signature track. Its triumphant message, Steve Perry’s soaring vocals, and the song’s unforgettable build have cemented it as an anthem of resilience. By 2025, it has amassed over 2.5 billion streams on Spotify, making it one of the most popular rock songs in the digital era as well as on radio.

Journey appears multiple times in the Top 500, but no song has achieved the cultural ubiquity of this one. While hits like “Separate Ways” and “Any Way You Want It” continue to thrive on radio, “Don’t Stop Believin’” has transcended playlists to become a cultural touchstone, appearing everywhere from sports arenas to TV shows like The Sopranos and Glee.

Its position at No. 19 confirms what fans already know: “Don’t Stop Believin’” isn’t just a Journey classic—it’s one of the defining anthems of rock, period.

18. Scorpions, “Rock You Like a Hurricane” (Love at First Sting, 1984)

“Rock You Like a Hurricane” is the Scorpions’ most enduring anthem, delivering one of the catchiest riffs of the ’80s rock era. Released in 1984, it was powered by Rudolf Schenker’s crunching guitar work and Klaus Meine’s fiery vocals, making it a perfect arena-rock anthem. Despite its controversial original working title, the final version became a global hit and a permanent part of the band’s live shows.

The Scorpions have multiple songs scattered across the 2025 list, with “No One Like You” and “Wind of Change” also standing tall. Together, these tracks highlight the band’s rare ability to bridge the raw energy of hard rock with the melodic accessibility needed for radio dominance.

At No. 18, “Rock You Like a Hurricane” stands as proof of how ’80s metal bands crossed over into mainstream playlists. Its high energy and unforgettable hook keep it blasting across radios worldwide.

17. AC/DC, “You Shook Me All Night Long” (Back in Black, 1980)

“You Shook Me All Night Long” is one of the brightest jewels in AC/DC’s Back in Black crown. Released in 1980, it was the band’s first big single with Brian Johnson and remains one of their most recognizable tracks, blending gritty riffs with playful, innuendo-laden lyrics. More than four decades later, it continues to dominate airplay.

By 2025, Back in Black has placed five separate tracks on the Top 500 list, underscoring just how massive the album remains. Songs like “Hells Bells” and “Shoot to Thrill” still find their way into heavy rotation, but “You Shook Me All Night Long” stands out as the most radio-friendly cut.

At No. 17, the song is a reminder that AC/DC’s magic lies in their ability to keep it simple. Its straightforward groove and instantly memorable chorus make it timeless—and a permanent fixture of rock radio.

16. Joan Jett and the Blackhearts, “I Love Rock ’n Roll” (I Love Rock ’n Roll, 1981)

Joan Jett’s cover of the Arrows’ “I Love Rock ’n Roll” transformed her from punk pioneer into a mainstream rock icon. Released in 1981, it went on to spend seven weeks at the top of the U.S. charts in 1982, proving that a simple, driving riff and an anthemic hook could capture the spirit of an entire generation.

Jett has three entries on the 2025 list, including “Bad Reputation” and “I Hate Myself for Loving You.” Yet “I Love Rock ’n Roll” towers above them all as her definitive track, the one that secured her place in both rock radio and pop culture.

At No. 16, the song continues to resonate as both a rebellious anthem and a celebration of the power of rock music itself. Its straightforward grit ensures it will always have a spot on classic-rock playlists.

15. Pink Floyd, “Another Brick in the Wall (Part 2)” (The Wall, 1979)

Pink Floyd were never a band known for chasing radio hits, yet “Another Brick in the Wall (Part 2)” became one of their most recognizable tracks. Released in 1979 as part of The Wall, its blend of biting social commentary and disco-inspired groove made it a global hit, topping charts in multiple countries. More than four decades later, it still commands heavy rotation on classic-rock playlists.

In 2025, the band has 13 songs represented in the Top 500. From sprawling epics like “Comfortably Numb” and “Wish You Were Here” to deeper cuts like “Run Like Hell” and “Young Lust,” their catalog demonstrates how even a band ambivalent about singles left an indelible mark on radio. “The Happiest Days of Our Lives” also shows up at No. 46, often paired with “Another Brick in the Wall” as a single two-part sequence.

Landing at No. 15, “Another Brick in the Wall (Part 2)” reflects how Pink Floyd’s artistry transcended their own intentions. For a band disinterested in chasing singles, they created one of rock radio’s most enduring anthems.

14. Aerosmith, “Dream On” (Aerosmith, 1973)

“Dream On” is the song that introduced Aerosmith to the world, and it remains one of their most powerful entries in the rock canon. Released in 1973 on their debut album, the track features Steven Tyler’s searing vocals building toward an emotional climax that still gives listeners chills. It may not have been an immediate smash, but over time it became the band’s first true anthem.

Aerosmith are tied with Led Zeppelin for the most appearances in the 2025 Top 500, boasting 15 entries in all. From “Walk This Way” and “Sweet Emotion” to late-era hits like “Crazy” and “Cryin’,” their catalog shows remarkable staying power. Still, “Dream On” stands apart for its raw sincerity and the way it laid the foundation for everything that came after.

At No. 14, “Dream On” continues to prove its timelessness. For many fans, it represents the definitive Aerosmith track: ambitious, emotional, and steeped in the grit of early ’70s rock.

13. Def Leppard, “Pour Some Sugar on Me” (Hysteria, 1987)

Few songs define the excess and energy of the ’80s better than Def Leppard’s “Pour Some Sugar on Me.” Released in 1987 as part of Hysteria, the track wasn’t an immediate hit but exploded months later, thanks to unexpected support from Florida strip clubs where dancers frequently requested it on local radio. That underground popularity helped push Hysteria back into the spotlight, ultimately sending the album to No. 1.

By 2025, Def Leppard remain radio staples with 10 songs across the Top 500. While “Photograph” and “Rock of Ages” continue to shine, “Pour Some Sugar on Me” is the band’s most enduring party anthem, representing the high-gloss, big-chorus approach that defined their sound in the late ’80s.

At No. 13, the song’s placement demonstrates how its infectious energy has outlasted its origins. What started as a club favorite has become one of the most played and instantly recognizable tracks in the classic-rock universe.

12. Kansas, “Carry On Wayward Son” (Leftoverture, 1976)

Kansas nearly overlooked their most famous song. Written by Kerry Livgren and brought to the band late in the Leftoverture sessions, “Carry On Wayward Son” was reluctantly adopted by the group, only to become their biggest rock-radio staple. Released in 1976, the track showcased their progressive leanings with tight musicianship, soaring harmonies, and a timeless chorus.

On the 2025 charts, Kansas appear just twice: with “Carry On Wayward Son” at No. 12 and “Dust in the Wind” down at No. 431. The disparity underscores how much more traction the former has gained with radio programmers and audiences alike. It’s an anthem that continues to thrive across generations, including younger fans who discovered it through TV shows like Supernatural.

Its placement high on the list proves that a blend of prog-rock intricacy and radio-friendly hooks can create lasting magic. More than 45 years after its release, “Carry On Wayward Son” is still living up to its title.

11. Aerosmith, “Sweet Emotion” (Toys in the Attic, 1975)

“Sweet Emotion” began as a riff from bassist Tom Hamilton, eventually transformed into one of Aerosmith’s most enduring tracks. Released in 1975 on Toys in the Attic, the song became their first Top 40 hit and helped establish them as one of America’s premier hard rock bands. Its mix of swagger, groove, and layered production made it an instant radio favorite.

In 2025, Aerosmith hold 15 songs in the Top 500, a testament to their longevity and adaptability across decades. While ballads like “Angel” and arena-rock anthems like “Love in an Elevator” showcase different sides of the band, “Sweet Emotion” captures the gritty, blues-based essence that first defined them.

At No. 11, “Sweet Emotion” continues to resonate as one of classic rock’s most instantly recognizable songs. Its iconic riff and infectious groove make it a fixture of playlists, proving the song hasn’t lost a step since its release nearly 50 years ago.

10. Lynyrd Skynyrd, “Sweet Home Alabama” (Second Helping, 1974)

“Sweet Home Alabama” has long been a Southern rock anthem, and in 2025 it remains Lynyrd Skynyrd’s most-played track. Released in 1974 on Second Helping, the song was written partly in response to Neil Young’s critiques of the South, though guitarist Gary Rossington later clarified that the reference was more playful than hostile. Despite the controversy, the song became the band’s signature hit.

Skynyrd appear six times in the Top 500 this year, with “Call Me the Breeze,” “Gimme Three Steps,” and “What’s Your Name” all represented. Surprisingly, “Free Bird”—arguably their most legendary song—sits much lower at No. 145, while “Simple Man” holds strong at No. 87. Still, “Sweet Home Alabama” leads the pack, underscoring its status as their most radio-friendly anthem.

At No. 10, the track highlights how certain songs transcend their original context to become cultural staples. Decades later, its iconic riff and sing-along chorus remain irresistible on classic-rock radio.

9. Boston, “More Than a Feeling” (Boston, 1976)

Boston’s debut album redefined what rock radio could sound like, and “More Than a Feeling” is its crown jewel. Released in 1976, Tom Scholz’s meticulous production combined layered guitars and soaring melodies, creating one of the most instantly recognizable intros in rock history. It remains Boston’s most enduring contribution to classic rock.

The band’s debut is remarkably well-represented on the 2025 chart, with six tracks in rotation. “Peace of Mind,” “Rock & Roll Band,” and the pair of “Foreplay”/“Long Time” all continue to resonate with listeners, showing how front-to-back strong the record remains nearly 50 years later. Even the follow-up album Don’t Look Back gets a nod with its title track at No. 381.

At No. 9, “More Than a Feeling” proves how a perfectly crafted rock song can achieve timeless status. Its lush harmonies and heartfelt lyrics have kept it in steady airplay for decades, bridging the gap between hard rock and radio-friendly polish.

8. & 7. Queen, “We Are the Champions” & “We Will Rock You” (News of the World, 1977)

Queen’s News of the World delivered two of the most famous back-to-back tracks in rock history, and in 2025 both still dominate radio airwaves. “We Will Rock You” and “We Are the Champions” were designed to be played together, with the former’s stomps and claps leading directly into Freddie Mercury’s triumphant anthem. More than 45 years later, they remain inseparable in the cultural imagination.

The chart shows a curious detail: “We Will Rock You” has been played slightly more often than “We Are the Champions,” suggesting some DJs enjoy leaving their listeners hanging without the expected payoff. Regardless, both songs remain universally known, heard everywhere from sporting events to school assemblies, ensuring Queen’s ongoing cultural omnipresence.

Their twin presence in the Top 10 underscores Queen’s unmatched ability to craft anthems that transcend generations. Whether heard together or apart, these tracks remain defining examples of rock’s power to unite massive audiences.

6. Ozzy Osbourne, “Crazy Train” (Blizzard of Ozz, 1980)

“Crazy Train” was Ozzy Osbourne’s breakout solo single after leaving Black Sabbath, and more than four decades later, it remains his most iconic song. Released in 1980 on Blizzard of Ozz, its instantly recognizable riff by Randy Rhoads set a new standard for heavy metal guitar work, while Osbourne’s wild charisma carried it to mainstream success.

In 2025, the track takes on added resonance as fans mourn Ozzy’s passing and celebrate his career. Beyond “Crazy Train,” seven more of his solo tracks appear on the Top 500, including “Mama, I’m Coming Home,” “No More Tears,” and “Mr. Crowley.” Together, these entries demonstrate just how deeply Osbourne’s solo work has embedded itself in the DNA of classic rock radio.

At No. 6, “Crazy Train” reflects both nostalgia and renewed appreciation. It’s not just a song—it’s a rallying cry for generations of fans who found in Ozzy’s music the perfect balance of menace and fun.

5. Bon Jovi, “You Give Love a Bad Name” (Slippery When Wet, 1986)

Bon Jovi aimed squarely for superstardom with Slippery When Wet, and “You Give Love a Bad Name” was the opening salvo that launched them there. Co-written with hitmaker Desmond Child, the track turned into the band’s first No. 1 single, pairing Jon Bon Jovi’s anthemic vocals with Richie Sambora’s sharp riffs. Its mix of pop hooks and hard-rock punch helped usher in the hair-metal boom of the late ’80s.

Interestingly, the chorus was originally written for Bonnie Tyler’s song “If You Were a Woman (And I Was a Man),” before being reworked into the explosive hook fans know today. That creative recycling paid off in spectacular fashion, proving how much collaboration and persistence can reshape a song’s destiny.

At No. 5 in 2025, “You Give Love a Bad Name” still embodies the era’s stadium-sized sound. Its continued airplay confirms that Bon Jovi’s mix of energy and accessibility remains irresistible on classic-rock radio.

4. Whitesnake, “Here I Go Again” (Whitesnake, 1987)

Whitesnake’s “Here I Go Again” might have started life on 1982’s Saints & Sinners, but it was the re-recorded 1987 version that truly became a global smash. With sleeker production and a now-legendary music video starring Tawny Kitaen, the song skyrocketed into heavy rotation, becoming the band’s biggest hit and a defining anthem of the hair-metal era.

Interestingly, David Coverdale only agreed to revisit “Here I Go Again” so the label would allow him to rework another track, “Crying in the Rain.” That gamble paid off, cementing Whitesnake’s place in the mainstream rock pantheon. Other entries like “Is This Love” and “Still of the Night” also appear on the 2025 list, though none come close to the ubiquity of this anthem.

At No. 4, “Here I Go Again” proves that power ballads with massive hooks never lose their grip. Its blend of soaring vocals, polished riffs, and dramatic flair ensures it still thrives on classic-rock radio.

3. Guns N’ Roses, “Sweet Child O’ Mine” (Appetite for Destruction, 1987)

Slash once called the riff that launched “Sweet Child O’ Mine” a “stupid little exercise,” but the rest of the band quickly recognized its potential. Within an hour, it evolved into the foundation of what would become Guns N’ Roses’ first and only No. 1 hit. Released nearly a year after Appetite for Destruction first hit shelves, the single transformed the band into one of the biggest acts in the world.

The song’s combination of Slash’s iconic guitar work, Axl Rose’s impassioned vocals, and the band’s raw energy made it instantly unforgettable. It also played a huge role in pushing Appetite to multi-platinum status, cementing its place as one of the best-selling rock albums of all time.

At No. 3 in 2025, “Sweet Child O’ Mine” continues to define Guns N’ Roses’ legacy. It’s not just a hit—it’s the song that brought their dangerous swagger to mainstream audiences around the globe.

2. Guns N’ Roses, “Welcome to the Jungle” (Appetite for Destruction, 1987)

“Welcome to the Jungle” might be one of rock’s most famous opening statements, but when it was first released in 1987, it received only a lukewarm response. It wasn’t until after the massive success of “Sweet Child O’ Mine” that the single was reissued and roared into the Top 10, cementing its place as one of the most powerful hard-rock anthems ever recorded.

Slash later recalled that the riff was just something he played at home on an acoustic guitar, with Axl Rose spontaneously writing lyrics to match its dark, predatory vibe. The band assembled the song in less than an hour, proof that lightning can strike when creativity and timing align.

Now sitting at No. 2 in 2025, “Welcome to the Jungle” is more than just a GNR classic—it’s one of the genre’s definitive tracks, its snarling energy still electrifying listeners nearly four decades later.

1. Bon Jovi, “Livin’ on a Prayer” (Slippery When Wet, 1986)

It’s almost unthinkable now, but “Livin’ on a Prayer” nearly didn’t make it onto Slippery When Wet. Jon Bon Jovi himself was unsure whether the track fit the band’s sound. Thankfully, cooler heads prevailed, and the result was not only Bon Jovi’s most famous song but also the most-played track on classic rock radio in 2025.

With its talk-box intro, working-class narrative, and rousing chorus, the song embodies everything that made Bon Jovi resonate so widely. It became their second straight No. 1 single and went on to sell over 10 million copies in the U.S. alone. On streaming platforms, it has surpassed 2 billion plays, proving its relevance extends far beyond its original release.

At No. 1, “Livin’ on a Prayer” stands as the ultimate ’80s anthem. Nearly 40 years later, its message of resilience and its stadium-filling energy continue to inspire—and to dominate classic-rock radio.