Robert Fripp and Toyah Return With Wild New Cover of AC/DC’s “Highway to Hell”

Halloween wouldn’t be complete without a new chaotic treat from Robert Fripp and Toyah Willcox. The eccentric duo, known for their unpredictable Sunday Lunch performances, have returned with a spirited rendition of AC/DC’s “Highway to Hell.” As Britain’s most unlikely rock couple, they’ve once again transformed their kitchen into a stage for musical mischief, complete with costumes, energy, and just the right dose of madness.

Fripp, the legendary King Crimson guitarist, takes on the look of a “Satanic nun” — a costume that seems tailor-made for their latest Halloween special. Toyah, never one to shy away from theatrics, belts out Bon Scott’s rebellious lyrics with her trademark enthusiasm. Together, they make the performance a perfect mix of spooky, silly, and rock ‘n’ roll fun, setting the tone for another memorable holiday edition.

As the performance comes to a close, Fripp delivers his tongue-in-cheek sign-off: “Welcome to Toyah and Robert’s really frightening and incredibly scary Sunday lunch. Ahh, bollocks.” It’s classic Fripp humor — dry, self-aware, and delightfully absurd.

The Duo’s Ongoing Sunday Lunch Legacy

Since its debut during lockdown, the Fripp-Willcox “Sunday Lunch” series has become a cult phenomenon. What began as a quirky pastime has evolved into a beloved ritual for fans who tune in weekly to watch the pair reinterpret rock classics in their kitchen. From Metallica to Nirvana, their renditions are equal parts homage and parody, showcasing the chemistry and playfulness that define their marriage.

Fripp’s stoic demeanor often contrasts with Toyah’s flamboyant energy, creating an entertaining push-and-pull dynamic. Viewers come not only for the music but for the unpredictability — whether it’s a wild costume, a cheeky dance, or an impromptu laugh. The imperfections, far from detracting, are what make it endearing.

Their cover of “Highway to Hell” fits perfectly into this tradition. The song’s rebellious spirit meshes with their playful chaos, making it a natural choice for their Halloween special. While the performance might not win awards for technical precision, it succeeds brilliantly in charm and entertainment.

King Crimson Keeps the Flame Alive

Outside of their kitchen antics, Robert Fripp remains deeply connected to his musical roots. On the same weekend as their “Highway to Hell” release, new editions of King Crimson’s In the Wake of Poseidon and Lizard were unveiled. These reissues include fresh stereo, 5.1 Surround, and Dolby Atmos remixes by acclaimed producer Steven Wilson, along with new sleeve notes by Prog magazine’s Sid Smith.

The updated releases continue King Crimson’s commitment to preserving and enhancing their historic catalog. They follow other immersive reissues, including Larks’ Tongues in Aspic, The Complete 1969 Recordings, and Red’s 50th-anniversary edition. Fans can also pick up a heavyweight vinyl edition of Lizard featuring David Singleton’s Elemental Mix, offering a new way to experience one of Crimson’s most experimental albums.

Between his avant-garde past and his offbeat present, Fripp shows no signs of slowing down. Whether he’s donning a nun’s habit for a laugh or remixing prog-rock masterpieces, his creative spirit remains as unpredictable — and as delightfully eccentric — as ever.