5 Commodores 70s Tracks Fans Forgot Were Incredible

The Commodores are known for hits like “Easy” and “Brick House,” but their ’70s catalog has much more to offer. Their 1977 album marked a turning point, but it was just one chapter in their diverse musical journey.

Before Lionel Richie became the band’s main voice, the Commodores made waves with a mix of funk and soul. Their earlier songs show off their range, blending infectious grooves with soulful ballads.

While “Easy” and other hits dominate their legacy, the Commodores had a funkier side that’s often forgotten. Let’s revisit some of their lesser-known tracks from the ’70s that capture the band’s true spirit.

“Machine Gun” from Machine Gun (1974)

The Commodores’ debut single, “Machine Gun,” was an electrifying introduction to their talent. Released in 1974, this instrumental track was a funk explosion, driven by Thomas McClary’s sharp guitar riffs and Milan Williams’ dazzling keyboard work. Its high-energy rhythm made it an instant favorite on dance floors.

Unlike their later ballad-heavy hits, “Machine Gun” showcased the band’s funkier roots. The absence of vocals allowed the group’s musicianship to take center stage, cementing their reputation as a powerhouse ensemble.

“Machine Gun” didn’t just ignite their career—it became a cultural touchstone. The track reached No. 7 on the R&B chart and even found its way into movie soundtracks, proving the Commodores could captivate audiences without a single lyric.

“Slippery When Wet” from Caught in the Act (1975)

The title might make you think of Bon Jovi, but the Commodores’ “Slippery When Wet” hit the airwaves over a decade earlier. Its groove feels akin to Earth, Wind & Fire’s “Shining Star” and Wild Cherry’s “Play That Funky Music,” but it actually predates both.

With Lionel Richie on lead vocals, the track was penned by guitarist Thomas McClary. Its catchy melody and message against infidelity struck a chord with listeners, giving the Commodores another memorable hit.

“Slippery When Wet” climbed to No. 19 on the Billboard Hot 100, solidifying the band’s early success. It’s a standout example of their funk-driven sound before Richie’s ballads dominated the charts. 

“Sweet Love” from Movin’ On (1975)

“Sweet Love,” from Movin’ On (1975), was the Commodores’ first Top-10 hit on the Billboard Hot 100. Written by Lionel Richie, it hinted at the ballad-driven success to come, but it stood apart from later classics like “Easy.”

Unlike their slower ballads, “Sweet Love” featured a faster tempo, punchy horn blasts, and a lively bassline. It blended smooth melodies with a touch of the band’s signature funk, creating a unique sound that captivated listeners.

The song peaked at No. 5, marking the first of eight Top-5 hits for the Commodores. It was a pivotal track that showcased their ability to merge soulful emotion with energetic grooves.

“Just to Be Close to You” from Hot on the Tracks (1976)

“Just to Be Close to You,” from Hot on the Tracks (1976), feels like an early step toward the sound of “Easy.” Its downtempo ballad style is elevated by Lionel Richie’s heartfelt vocals and a spoken-word segment that sets it apart.

Richie leads the track but shares vocal moments with Walter Orange, adding a dynamic contrast in the pre-chorus and chorus. The collaboration, paired with Richie’s songwriting, gave the song a unique depth.

Reaching No. 7 on the Hot 100, it was the Commodores’ second Top-10 hit and their second R&B chart-topper. The track solidified their growing presence across multiple genres and hinted at the greatness ahead.

“Fancy Dancer” from Hot on the Tracks (1976)

“Fancy Dancer,” from Hot on the Tracks (1976), arrived during the height of disco fever. While it leaned lyrically toward the disco craze, its funk-infused rhythm ensured it resonated beyond just the dance floors.

Lionel Richie took the lead vocals, co-writing the track with bassist Ronald LaPread. Its groovy beat and catchy energy made it a standout follow-up to the ballad “Just to Be Close to You.”

The song marked a milestone as the first Commodores single to follow a Top-40 hit from the same album and also crack the Top 40. It just made the cut, peaking at No. 39 on the Hot 100.